One Word Image/Picture/Drawing

This is probably the most effective no-prep activity you should become familiar with:

1) Say or ask for one(1) word.
2) Draw it on the board (or have the Class Artist draw it).
3) Ask about it, and add details to the image.

I’m never at a loss for what to add because I rely on my Question Word Posters as reference to drive the image. Looking at the posters around my board, I usually just ask questions in order and get corresponding supporting details without planning a single thing. Here’s an example that began with a single word, fūr (thief)…

Where? = The thief is in Starbucks
From Where? = Lived in Spain
To Where? = Wants to go to Peet’s Coffee in Berkeley, not Cambridge
What? = Has a gladius (Roman sword)
Who? = The thief’s name is Tom
Whose? = The gladius is actually the Starbucks barista’s gladius
When? = It’s night time
Whom? = The thief sees someone with a better, bigger gladius
With Whom? = Donald Trump (obviously!)
To Whom? = The Starbucks barista gives a coffee to Donald Trump
How? = The thief has the gladius because he stole it from the Starbucks barista
How many? = Actually, the Tom the Thief has 7 gladiī—one from each Starbucks in Starbucksville
What sort of? = Tom is actually a bad thief…the Starbucks barista saw him steal the gladius
Why? = Donald Trump is there because he wants to buy all the Starbucks’

Note how some of the details don’t connect (e.g. there is another person with a sword but doesn’t get mentioned again), but realize that they don’t have to. We’re just creating an image, not any kind of plot. Also note, however, how easily this COULD turn into a prompt for a Timed Write, or a Storyasking session, especially given the image we’ve established as a class.

5.5.16 Tea with BvP Takeaways

Today on the show, Bill did not give the same definition of Forced Output from Episode 18 when he told a caller that anything more than one word responses (e.g.yes/no, either/or, fill in blank) was considered “forced” (listen to that brief definition, here). Why? He was thinking about that term in a new way, referring to what happens when you make someone speak in an activity or task, which may not have anything to do with what has been acquired (e.g. “I am teacher, you are student, do this.”). The definition of Forced Output was expanded by Karen Rowan on Mixler to include any “Output beyond the level of acquisition.” Bill’s previous definition along with Karen’s mean that although acquisition rates vary, all students can give a single word response, so it is the only thing we should expect. Anything else is a bonus.

We also got a definition for Output as “any learner production that is embedded in the communicative context/event.” Martin Lapworth noted that this immediately rules out  a lot of what’s been going on in classrooms involving certain acts of speaking and writing, which some teachers have misunderstood as Output for the sole reason that something is coming OUT of their head that other people read, see or hear. Here’s how we can categorize Bill’s take on some examples of exercises, activities, and tasks within the context of Output…

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Sample CI Schedule: The Year

**Use this schedule with the Universal Language Curriculum (ULC) Updated 2.4.18**
**Read a post on the Week & Day Updated 12.9.17**

A major reason to ditch what you’ve been doing (or what others expect language learning to look like), and teach with CI is for the flexibility in planning. In fact, the longer I teach with CI, the less I plan, and the better the results. This is probably the least intuitive concept as an educator, especially for anyone still green from their teacher training that included an obsession over Wiggins and McTighe’s Understanding by Design, the push for posted objectives, a need for required lesson plans tied to Bloom’s, etc.

I’ve written 13 blog posts and a summary about what should be considered and/or put in place in your classroom in order to continue teaching with CI. Here’s a perspective on a full year of teaching that might help you see the big picture of how simple it is to actually make this happen:

The Day **Added 12.9.17**
– Routines
– Reading
– Students
– Stories

The Week
– Telling/Asking stories, then reading them
– Learning details about students
– 1-3 unannounced “open-book” Quick Quizzes

The Month
– 1-2 unannounced, no notes, 5-10min Fluency Writes

The Grading Term
– Students self-assess Rubric (but check these to see if they’re being too hard on themselves)

The bulk of “planning” then becomes varying how you tell/ask stories (e.g. One Word Image, TPRS, MovieTalk, Magic Tricks, etc.), what you do with them (e.g. Choral Translation, Airplane Translation, Read and Discuss, Running Dictation, Draw-Write-Pass, OWATS, etc.), and how you’ll learn more about each other (e.g. ask students for a new batch of  questions to use during La Persona Especial/Discipulus Illustris, etc.).

No Proficiency, No Problem: How CI allowed me to teach Spanish

At the end of November, I was hired to teach a new 7th grade Exploratory Language program. This was the administration’s solution to a failed compulsory extension of their 8th Spanish program that was halted in October by the abrupt resignation of their teacher. I wasn’t certified to teach Spanish, so the workaround was to reestablish 7th grade Spanish as a 7th grade Exploratory Language, and offer Spanish, Latin (for which I DO hold certification, and actually know), and French.

When I accepted the position, I knew very little Spanish, and French wasn’t even on the map. I was willing to invest the time needed to teach them, though, and I had a secret weapon…my CI language training. The administration recognized such value, and I was on my way.

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CI Program Checklist: 11 of 13

Classroom MGMT
✔   Rules (DEA & CWB)
✔   Routines (Routines, Student Jobs, Interjections & Rejoinders)
✔   Brain Breaks

✔   Inclusion (Safety Nets, Gestures & Question Posters)
✔   Shelter Vocab (Super 7, TPR ppt, TPR Wall, and Word Wall)
✔   Unshelter Grammar (TPR Scenes)

✔   Secrets (Class Password)
✔   Students (People)
✔   Stories (TPRS, MovieTalk, Magic Tricks, Free Voluntary Reading (FVR))

✔   Reporting (Quick Quizzes)
__ Showing Growth

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Tiny Fluency Writes

Q. What’s worse than thinking you can’t write a lot of Spanish?

A. Feeling bad about it because you’re given a ton of writing space.

Here’s new Fluency Write paper for Timed Writes, Free Writes, Speed Writes, etc., with Novice language learners in mind, particularly those in middle school. There’s still enough space for a fast processor to flip the page and write up to 110 words, but no so much that a slow processor leaves class with a crummy sense of low self-efficacy. Plus, you get 2 Fluency Write papers from every 8.5 x 11 double-sided sheet.


fluency 1

(Back)fluency 2