Hypermiling: Mine!

Having turned my focus to One Word Image (OWI) for the rest of the year, I’m noticing little tweaks that make all the difference. The first tweak is that the entire OWI process works best when limited to 20 minutes. Even storyasking the following day after artwork is presented limited to 20 minutes (e.g. 5 minutes per section in the pic below) keeps everything more comprehensible, compelling, and novel. You might think shorter stories lack input, but that’s not true. Since so many stories can be created, exposure to frequent vocabulary are found in many new contexts, rather than one monster of a story that takes an entire class (or more!) to co-create.

That tweak now a part of my M.O., here’s another one that adds 5 minutes to the storyasking process, but has really helped my students reawaken their imagination, not to mention something that gets X new parallel stories…

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Admin-Friendly Sneaky Input Activities

Here are 4 sneaky activities that don’t seem like input at first glance. I call them “admin-friendly” because when there’s conflict over providing CI, it’s usually someone in a position of power who just wants to see the kind of schoolwork that makes more sense/is familiar to them. Unfortunately, that kind of observable schoolwork is output, or something completely non-communicative, or not even in the target language. I must admit that these 4 activities appear output-heavy, but they aren’t, so pay attention…

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Getting Texts: Companion Post to Input-Based Strategies & Activities

**Updated 2.8.19 with Dixit Card Storyasking**

See this post for all the input-based activities you can do with a text. But how do we end up with a text in the first place?! Here are all the ways I’ve been collecting:

**N.B. Many interactive ways to get texts require you to write something down during the school day, else you might forget details! If you can’t create the text during a planning period within an hour or two of the events, jot down notes right after class (as the next group of students line up for the Class Password?), or consider integrating a student job.**

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Free Writes: Who can write the…FEWEST?!

Whether it’s the first Timed Write (e.g. Free Write, or Story Retell) in September, or the final one during the last few weeks of school, you can turn any writing prompt into a game that everyone can participate in, with…

“Who can write the fewest words, but say the most…about X?”

What is X? Anything; describing oneself, TV show, sports match, or expressing thoughts on first days of high school, summer off, or graduating. The best part? This is a Personalized Questions & Answers (PQA) springboard.

One Word Image/Picture/Drawing

This is probably the most effective no-prep activity you should become familiar with:

1) Say or ask for one(1) word.
2) Draw it on the board (or have the Class Artist draw it).
3) Ask about it, and add details to the image.

I’m never at a loss for what to add because I rely on my Question Word Posters as reference to drive the image. Looking at the posters around my board, I usually just ask questions in order and get corresponding supporting details without planning a single thing. Here’s an example that began with a single word, fūr (thief)…

Where? = The thief is in Starbucks
From Where? = Lived in Spain
To Where? = Wants to go to Peet’s Coffee in Berkeley, not Cambridge
What? = Has a gladius (Roman sword)
Who? = The thief’s name is Tom
Whose? = The gladius is actually the Starbucks barista’s gladius
When? = It’s night time
Whom? = The thief sees someone with a better, bigger gladius
With Whom? = Donald Trump (obviously!)
To Whom? = The Starbucks barista gives a coffee to Donald Trump
How? = The thief has the gladius because he stole it from the Starbucks barista
How many? = Actually, the Tom the Thief has 7 gladiī—one from each Starbucks in Starbucksville
What sort of? = Tom is actually a bad thief…the Starbucks barista saw him steal the gladius
Why? = Donald Trump is there because he wants to buy all the Starbucks’

Note how some of the details don’t connect (e.g. there is another person with a sword but doesn’t get mentioned again), but realize that they don’t have to. We’re just creating an image, not any kind of plot. Also note, however, how easily this COULD turn into a prompt for a Timed Write, or a Storyasking session, especially given the image we’ve established as a class.

5.5.16 Tea with BvP Takeaways

Today on the show, Bill did not give the same definition of Forced Output from Episode 18 when he told a caller that anything more than one word responses (e.g.yes/no, either/or, fill in blank) was considered “forced” (listen to that brief definition, here). Why? He was thinking about that term in a new way, referring to what happens when you make someone speak in an activity or task, which may not have anything to do with what has been acquired (e.g. “I am teacher, you are student, do this.”). The definition of Forced Output was expanded by Karen Rowan on Mixler to include any “Output beyond the level of acquisition.” Bill’s previous definition along with Karen’s mean that although acquisition rates vary, all students can give a single word response, so it is the only thing we should expect. Anything else is a bonus.

We also got a definition for Output as “any learner production that is embedded in the communicative context/event.” Martin Lapworth noted that this immediately rules out  a lot of what’s been going on in classrooms involving certain acts of speaking and writing, which some teachers have misunderstood as Output for the sole reason that something is coming OUT of their head that other people read, see or hear. Here’s how we can categorize Bill’s take on some examples of exercises, activities, and tasks within the context of Output…

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