Pygmaliōn is the second video in the series after Mīnōtaurus. I wasn’t familiar with this myth until reading* Ovid with last year’s students. They voted to read it before Daedelus & Icarus, Pyramus & Thisbe, or Orpheus & Eurydice. My personal contribution here is calling Pygmalion “creepy” (i.e. infestus), which was inspired by student comments. I begin retelling the myth after the point when Ovid gives us Pygmalion’s reason for living alone, which downright bothered my students. Misogyny is completely unacceptable, and at an age when image is a sensitive topic, students weren’t comfortable with what the Pygmalion (i.e. Ovid) had to say about the nature of women, as well as how he sculpted a figure “more beautiful than a woman possibly could be.” Go ahead and add that part if you welcome the discussion, which could easily be connected to contemporary advertising industry and its use of Photoshop, as well as the negative social affects, but I kept the story more focused. Here’s Ovid’s Pygmalion myth retold using 31 unique words. The story is 221 words total in length.
2) Story (link to Google Doc text found in YouTube video description, but also here)
*I say “reading,” but I definitely wasn’t reading Ovid with ease. I was certainly interacting with the text, reading the notes to establish meaning, consulting the L & S when necessary, and analyzing it closely for themes. After doing all of that in order to create simplified tiered versions for students, I will say that I had a better understanding, yet, as I “read” the poem now, I’m not sure I’m even reading still! Instead, I’m remembering what I translated during the interaction. I think this is what most Classicists do—recall what they’ve already translated, or discussion (in English) in the past.
I live by the “low-prep/no-prep” mantra. Yes, there’s life outside of school (maybe not if you teach high school ELA, sorry folks), and I enjoy sharing with others ideas on how to regain their personal life back while also being a damn fine teacher. As part of this, I pride myself on having not taken home student work for a few years now.
This first week, however, is different…
I’ve been used to starting the year with a half-day devoted to essential rules, some routines, and that school-required housekeeping stuff. Then, in next 8-10 class days over about 2 weeks, I would get into Circling with Balls (CWB), Total Physical Response (TPR), Discipulus Illustris, not to mention the No-Travel Story Script I was looking forward to trying out. Not this year. I see my students just 1 hour per week, which means those usual beginning activities would take us up through Thanksgiving! That’s simply too slow for he brain craving novelty. Expectations must be lowered. I’m just now recognizing exactly how much lower, too. This first week—one class—had to combine all that housekeeping with only a little bit of Latin…very little. You know what we did? placet (= likes). Yep, that’s it, at least as the only verb, although eī, tibi, -ne?, an, nōn, et, harpastum, minimē, and certē also made appearances. The focus was on just one student, and another parallel student to compare.
This video series is inspired by Mike Peto’s straightforward Story Listening videos in Spanish, and Eric Herman’s structured English Class videos, both shared by John Piazza last month in an effort to get ones like these in Latin. Here’s the Minotaur myth retold using 21 unique words. The story is 229 words total in length.
2) Story (Google Doc link found in YouTube video description)
Recently, John Piazza reminded me of Bill VanPatten’s definition of “high-frequency vocabulary” as vocabulary used often in a particular context.
The classroom context is very important. I can tell you that pater, though the 84th most frequent Latin word (according to Logeion), doesn’t come up much in my classes. You know what does? saccus pyraulocinēticus, meaning “jet pack.” Honestly, I don’t blame kids for finding a reason to sneak that into class, and I don’t mind one bit because a) we can show how Latin works with saccus pyraulocinēticus just as much as we can pater, and b) because it’s pure buy-in that makes Latin class fun.
The high-frequency lists are useful, but don’t forget that those lists are based on literature. Realize, then, that most of your students, if not nearly all, will NEVER read Latin literature. If your class is truly communicative, vocabulary used in your room each day will be relevant to students and their interests. Once you move beyond the Quaint Quīntum, Awesome Octō, Sweet Sēdecim, Top 32, Most Important 52, etc., the “high-frequency list” words you CHOOSE to use in class might be in vain, especially if they aren’t compelling, or worse, somehow causing grief in an effort to “get through” or “cover” words that appear in X, Y, and or Z.