On Saturday at RIFLA, I presented some updates to two NTPRS 2018 presentations. After the conference, I made even more updates based on what we discussed, including MGMT issues each setup decision addresses. I also had the chance to see two presenters.
Optimizing Your Classroom Setup for MGMT – RIFLA 2018
No-Prep Grading & Assessment – RIFLA 2018
- Signals Watching Matthew got me thinking: Have I been using signals?! In the past, we’ve had something for stop, and slow down. Matthew showed us one for faster, but I’ve never had the problem of speaking too slowly! Right now students just raise their hand. I might want to encourage the use of signals more.
- Story Cubes I’ve used these, and written about using them as more of a whole-class brainstorm and input activity. Still, I can now see an additional use for them with “unlocking creativity.” For example, I could roll two cubes under a document camera, and ask if any word comes to mind that could fill in the next story detail I’m asking for. This could be real good. I’ve been noticing how much better an either/or question is (e.g. students choose, or are inspired a third possibility they otherwise wouldn’t have come up with on their own). Matthew’s version was to provide a paper with 9 prompts (e.g. where, when, how many, problem, etc.), distribute the Story Cubes, then ask students about the image they rolled on the cube as well as what story detail they wanted it to fulfill. In his experience, this little bit of structure has helped quite a lot. Matthew also gathered the cubes as rolled, and snapped a pic of all 9. Essentially, this is the class story depicted, which could then be used as a Picture Talk, or some kind of story retell activity.
- “Oooooooooh” Matthew shared the 2016 video of Blaine Ray teaching English in Brazil, and the first thing I noticed was how every time Blaine made a story statement, he cued the “oooohs” from the class. If I had been trained to do this, I’ve certainly forgotten. I like how it kept students engaged on even the most basic of sentences! I think I’ll give this a try.
- The sēx game! Viviana captured our attention with a MovieTalk in Portugues. Afterwards, she shared a host of input-based followup activities. I had forgotten about the game Keith Toda shared. In groups of 3-4, students get a text, as well as a 6-sided die and 1 pencil. They take turns rolling until someone gets a 6, yells out that number in the target language (TL), and begins translating sentences from the text. They continue to do so while other team members keep rolling. Once someone else gets a 6, they grab the pencil from who was writing, and play continues. First to finish wins, or give points for understood sentences and highest points wins.
These are my updated presentations from the conference:
No-Prep Grading & Assessment 2018
Questioning Is Core
Optimizing Your Classroom Setup For MGMT
Here are my own takeaways organized by presenter, whether a) directly used by them during the conference, or b) inspired by something similar they did that got me thinking and I’ve adapted:
**See a recent post adding the Tense Test**
Picture Quick Quiz
Project a picture, then make 4 True/False statements about it. You could use a screenshot from a MovieTalk you just finished (e.g. choose a random point in the timeline), whatever you were discussing during PictureTalk, or an entirely new image. Here’s an example:
1) The Roman is wearing a shirt.
2) The Roman’s shirt is black.
3) The Roman’s shirt is blue.
4) The statue is seated.
Classroom Quick Quiz
Make 4 True/False statements about anything in the room! Have a map? Say something about a location. Have a Word Wall? Say something about a word. Have furniture? Talk about its size, or shape. Being observed? Talk about that person. Want to walk around? Narrate what it is you’re doing (i.e. TPR).
With the addition of these two, the total no-prep quizzes comes to 5, which you can read more about on the Input-Based Strategies & Activities post:
Vocab Quick Quiz
Picture Quick Quiz
Classroom Quick Quiz
To review, the Quiz process (aside from K-F-D Quizzes) is a) make 4 True/False statements, b) pass out colored pens and “correct” in class (in the target language, with PQA), and c) report the scores in the 0% grading category. That’s it.
**Check out the EZ conversions for remote learning!**
**Updated 2.24.2020 with Discipulī et Magistrī Illustrēs**
See this post for all the input-based activities you can do with a text. But how do we end up with a text in the first place?! Here are all the ways I’ve been collecting:
**N.B. Many interactive ways to get texts require you to write something down during the school day, else you might forget details! If you can’t create the text during a planning period within an hour or two of the events, jot down notes right after class (as the next group of students line up for the Class Password?), or consider integrating a student job.**
If conventional language teaching is grammar-translation, then we’re all somewhat a group of heretics! Still, there are so many sub groups of CI that it warrants a bit of elucidation. At some point, John Bracey and I were talking about if either of us just started discovering CI right now, we’d have NO IDEA what to do or where to begin. Here are descriptions of all the different CI groups I’ve observed over the past 5 years already in existence, or just emerging:
In its debut year, Comprehensible Online offered a different kind of PD, allowing participants to watch as many presentations over three weeks as they could from their computers and phones. #pdinpajamas was trending for many teachers sneaking in loads of PD from the comfort of their own home. In fact, I was able to watch most videos during my part-time job (shhh)!
Like other conference takeaways, I’ll consult this post over the years, and the info will be here to share with all. I have a code system to help me spot new things to try, and others to update. High-leverage strategies I consider “non-negotiable” for my own teaching are “NN.” Strategies to update or re-implement are “Update!,” and those I’d like to try for the first time are “New!” I encourage you to give them all a try. Here are the takeaways from some of the presentations I got to, organized by presenter:
Here’s some clarification on related ideas that are often confused:
Keith Toda just posted about writing simple texts and parallel stories for extensive reading use, such as during Free Voluntary Reading (FVR). Follow this template to create simple texts from scratch using the Sweet Sēdecim (Top 16). Also follow this template starting with any text (e.g. the simplest version of an Embedded Reading, a parallel story, a textbook chapter, a Write & Discuss, details from Discipulus Illustris, a myth, etc.). This will get you practice writing for the novice:
(is, is in, likes)
(there isn’t, doesn’t have, wants [to ___], wants to go)
– Interactions: (sees, hears, says, thinks, knows)
- New Location(s):
(leaves, comes to, is in, goes)
– Interactions: (sees, hears, says, thinks, knows)
- Resolution/Unresolved Ending:
(if item/object: someone carries, puts, gives, if action: character is able)
Example: Here’s a 250 total word length story I could add to the FVR shelf as another comprehensible option…
At CANE’s 2018 Annual Meeting this past weekend, Lindsay Sears gave the rundown on bottom-up and top-down approaches to creating tiered versions of texts. What caught my attention was seeing how just a few messages of unadapted Latin became paragraphs of comprehensible text for the novice. That is, the original 8 lines of poetry (of 46 words; 45 of them occurring 1x) nearly doubled in length with each tiered version. The result is students reading MORE Latin that they understand, especially if they read all tiered versions. Lindsay knows how to tier texts, and she does it well.
Beginning with 8 lines of Ovid that few students could understand without pages of notes and a dictionary, we were shown how to get subsequent versions down to one that ANY novice could read. Her steps were clear and concise; moreso than “make each version simpler.” Here they are as distilled as possible. For bottom-up stories (e.g. text to accompany MovieTalk), reverse the order:
1st Tier down from original
– begin with a compelling text (already with high frequency words, if possible)
– rearrange order to be clearer & shorten sentences
– break into paragraphs to create white space & supply verbs/subjects
– replace vocab/obscure names with synonyms
– simplify complex constructions (i.e. make meaning clearer, which might mean using the subjunctive!)
– add anything missing
– break up all compound sentences, removing conjunctions
– keep simplifying & remove “flavor text” (i.e. unnecessary) modifiers/adverbs
– replace vocab with high frequency & entire explanatory phrases/sentences!
– short sentences & basic idea