The latest Tea with BVP episode was “Teaching Without Textbooks.” Whether you’ve already ditched the textbook, or still work alongside one, parallel stories are important. Parallel stories include the same language found in a narrative, but the details (maybe plot) change. This year, I’ll be using a mix of parallel stories that compliment a textbook’s narrative, and co-created stories via TPRS.
For years I used TPRS story scripts to ask a story and then type up and read the exact story as a class. I’m now sold on parallel readings that include all the language found in the class story during acting, but now in a new context with details unknown to the students. Following Michele Whaley’s current practices on Embedded Readings, each of our stories will have at least three versions—this builds interest along the way by withholding information (vs. knowing exactly how the class story ends).
There will be more on how I adapt a textbook’s narrative later, but for now, here’s a link to our Latin 1 parallel stories (updated throughout the year in this single document).
Yesterday, the following events unfolded while riding my motorcycle:
- I notice a car rolling towards towards the road at a TD Bank exit driveway—the driver isn’t looking left (i.e. my direction).
- The driver doesn’t look my way, keeps rolling, then suddenly turns left into the road directly in front of me.
- I stop short. The momentum sends my motorcycle down on its right side, and me forward, also on my right side.
- I’m on the ground now and can’t move, but it’s for an OK reason—I realize that my helmet is stuck between the pavement and bumper of the driver’s car.
- The driver gets out of the car and tries to move me (idiot!).
- I take some time to watch horrified rubberneckers looking downward at a motorcycle on the ground and its rider partly under a car.
- After the disorientation dissipates, I get bored not doing anything under the car, extract myself, take off my gear, and take in the situation.
- Motorcycle doesn’t start (it won’t shift BELOW 3rd gear—the one it was in before going down).
- I wrap things up with the officer, get the moto towed, start calling insurance companies, and text Bob Patrick. No, Bob is not my emergency contact, but he just happened to have caught a typo in Discipulus Illustris, which led to a nice suggestion (i.e. Quō in annō es? for Quō in gradū es?)
After attending Michele Whaley’s presentation on Embedded Readings at NTPRS, I was convinced that we’ve been playing a game of Telephone since she and Laurie Clarcq began sharing the concept back in 2012. It turns out that it’s “yes and no,” but there is an important distinction that is being made in current Embedded Reading practice. Whereas many of us THINK we’re creating Embedded Readings, most of us might be just adapting authentic texts, class stories, or textbook narratives. Those products are fine, but aren’t necessarily Embedded Readings. Most of us are missing two key features in our adapted readings that make them better:
- Parallel Stories
- Withholding New/Tantilizing Information (not just more words)
After attending iFLT, I spent another week in Reno at NTPRS. While iFLT offered more opportunities to observe teachers teaching students, NTPRS offered more opportunities to actually BE a student for those of us in the Experienced track. I appreciated the short demos that most presenters gave, even when the workshops were not titled “___ language demo.” There are some game changes here that warrant their own posts (e.g. embedded readings straight from the source, Michele, Whaley), but I have much else to report on. Like last week’s iFLT post, this one includes more of what I intend to think about and/or change for 2016-17. They’re organized by presenter:
**New iteration of the Curriculum Map as the Universal Language Curriculum (ULC) Updated 2.4.18**
For many teachers, the New Curriculum Map is just what they need to to articulate what it means to teach for language acquisition. For others, it isn’t structured enough, and falls short of what they’re accustomed to using. Surprisingly, a few even consider this curriculum format TOO restrictive with its high frequency words and suggested structures and topics. If you are in the first two camps, this post will help you see the big picture of how simple it is to teach without a grammar syllabus and instead focus on high frequency vocabulary, just like the Sample CI Schedule for the Year:
It’s good that my goal wasn’t to summarize and respond to every point made on each Tea with BVP show. Why? Of all the shows, the recent Season 1 Finale had treasure troves of gold to respond to. Several of those nuggets stand out for me…