Back in June, I did this test of what collaborative storytelling could look like for asynchronous learning. However, the process can be used during class for even more interaction, and more story variations. This format also has the benefit of modeling writing, which can become new sources of input with timed writes typed up, edited, and read in class. This is not innovative. I’ve seen teachers do this live in the classroom. However, you might have stepped away from collaborative storytelling for a bit, or just forgotten how easy and enjoyable it can be. I’d recommend getting back into it, keeping it a regular activity throughout the year. Here are my current favorite collaborative storytelling formats for live remote learning:
Using the super simple story script sequence, write a story by providing either/or details for students to choose, or blank spaces for students to fill-in their own. Share out, step-by-step as teacher restates in target language, and/or submit so teacher can edit, type up, and share back to whole class. You get up to as many new stories as you have students, although I found success projecting just 2 stories; one from the class, and one from another class.
Slide Talk Stories
Screenshare/project the Slides, and scroll through to inspire story detail options. If you want students to compete over details a little more, choose two options from the Slides (e.g. “H.E.R. or Brent Faiyaz?”). Otherwise, choose one detail from the Slides, then whatever other shadow comes to mind. Use the script below for a home-run story.
WOWATS (Whole-class One Word At a Time Stories)
Generate a list of words (e.g. from most recent text, high frequency, all words students know, etc.), randomly choose one, collaborate to use the word in a story, and continue. Consider following Mike Peto’s story structure of limiting each story part to 5 minutes so ideas don’t go off the rails and it takes the whole class.
1) Who? Where? With Whom?
3) Fail to Solve
After looking at all the collaborative storytelling options for our first class story, we decided Mike Peto’s simple structure of a 20min story—tops—was exactly what we were looking for. In preparation, I suggested that we script out some basic either/or detail options, one of which being a “shadow” (i.e. non-option), and the other what we think they’d likely choose. Student teacher Magister K suggested that we look to each class’ Slide Talk slides to find something they already liked…
All of my books are available on Storylabs, and a selection of them join Andrew Olimpi’s and Emma Vanderpool’s on Mike Peto’s site. These are very different platforms. This post isn’t intended to be a pro/con list. Instead, it’s purpose is to clearly lay out the features for you…
High frequency vocab? Yes, of course, although one’s context and goals are important considerations. This posts looks at why we might choose cognates over the kind of vocab more frequently found in unadapted ancient Latin (i.e. Classical Latin), and how that decision can be inhibited by a bit of elitist baggage.
What’s the best reason to use cognates? So the learner who doesn’t read outside of the classroom can understand Latin—in class—more easily. Cognates increase the likelihood of comprehensibility. Even given the range of learner vocabularies in English, the likelihood still increases. That is, there’s more of a chance that a Latin to English cognate will be understood than the chance that a completely unrecognizable Latin word will be understood. Of course, students still misunderstand cognates all the time (re: Mike Peto’s “béisbol” routine), but that’s not the point. The point is to make Latin more comprehensible, and cognates help. N.B. the only cognate-use claim here is a greater likelihood of comprehension. This has a pedagogical impact, to be sure. Choosing cognates over Classical Latin can create a learning environment more like what English-speaking students in Spanish classes experience. Why does this matter? There’s no enrollment problem with Spanish classes—something we cannot say about Latin programs.
Last year, I had the opportunity to watch some videos of a teacher’s rough class—you know, that class we kinda wished would just go away, or fix itself over time, but that won’t because that’s not reality. We need concrete steps to take in order to regain MGMT (classroom management) in all classes, and the first one to work on until it’s solid is eliminating opportunities to talk.
Last Wednesday, we did our first MovieTalk (yes, still calling it this because I have no intentions or expectations of students acquiring specific vocab, and that’s peachy according to Dr. Ashley Hastings’ 2018 note to teachers who were misinterpreting the method). Believe it or not, but Wednesday’s MovieTalk has been the *ONLY* story so far. Yep. Other than that, no stories. With student interviews (i.e. Discipulus Illustris/Special Person), discussions based on a simple prompt (i.e. Card Talk), and questions about the weekend and upcoming week (i.e. Weekend & Week Chat), class has been compelling enough without any narrative. But stories are awesome, and we have a ton of other MovieTalk texts already prepared for every other week, so I’m thinking now is a good time to get into collaborative storytelling…
**See these examples of how weekly sheets have been used**
I’ve known for some time that ending class with Write & Discuss is a great way to focus students’ attention on the target language. I’ve also known that a simple dictation is pacifying, albeit boring (hence why I think I’ve done only one of these this year). Both of these activities require students to write, and both of these activities are nearly distraction-free because students have a writing task to do. It comes as no surprise, then, that we should be using writing as a MGMT tool…
Mike Peto is so great at painting a picture of his teaching through writing. Here’s a collection of strategies inspired by his post on One Word Images (OWI) that come in handy during any collaborative storytelling (e.g. TPRS, OWI, and other activities without names):
Unless you’re an island of one, a program Mission & Vision is a good idea to keep the department heading in a similar direction, even if things don’t start out that way. I put a lot of time into crafting the document last spring, and just had some help from my admin for the final touches. Once that was squared away this week, I could hand in my 2018-19 Syllabus. Let’s unpack all that…
**Check out the EZ conversions for remote learning!**
**Updated 2.24.2020 with Discipulī et Magistrī Illustrēs**
See this post for all the input-based activities you can do with a text. But how do we end up with a text in the first place?! Here are all the ways I’ve been collecting:
**N.B. Many interactive ways to get texts require you to write something down during the school day, else you might forget details! If you can’t create the text during a planning period within an hour or two of the events, jot down notes right after class (as the next group of students line up for the Class Password?), or consider integrating a student job.**