fragmenta Pīsōnis: Published!

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Here are 50 new lines of poetry including dactylic hexameter, hendecasyllables, and scazon (i.e. limping iambics)!

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This collection of poetry from the Pisoverse features a prose description of what inspired Piso’s poetry prior to each verse itself. This provides context and exposure to the words found in each verse, adding to its comprehensibility. Despite the lack of a single continuous plot, students should find fragmenta Pīsōnis more readable than the Pīsō Ille Poētulus novella, especially with any background knowledge from reading the other, much easier novellas in the Pisoverse (i.e. Rūfus lutulentus, Rūfus et arma ātra, and Agrippīna: māter fortis). The poetry in this collection includes more “big content words” to clearly convey meaning. fragmenta Pīsōnis can be used as a transition to the Pīsō Ille Poētulus novella, or as additional reading for students already comfortable with poetry having read the novella. The only new word added to the 96 word count from the entire Pisoverse is fragmentum. This collection is 2200 words in total length.

Use fragmenta Pīsōnis as a Free Voluntary Reading (FVR) option, read as a whole class together, or introduce each fragment as “poetry of week.”

fragmenta Pīsōnis is available…

1) Classroom Set Specials (up to $80 off!)
2) On Amazon
3) As a free preview of the first section (includes 12 lines of poetry) (text only)
– Poetry of the Week (free audio files to use)
4) Email me for Purchase Orders and classroom set discounts

Capitalizing on Schoolwide Policies: Behavior Systems

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I’ve used DEA as anywhere from 0% (i.e. just rules) to 100% of a student’s grade, including a sliding scale throughout the year. While a few have referred to DEA as a “behavior system,” I prefer to look at it as habits that promote an ideal environment for input and interaction. Whatever you want to call it, students who do DEA, or DEA-like things acquire language (adjusting for neuro-diversity, of course), and those who don’t, make it harder for themselves and/or others. Some schools forbid grading behavior altogether, others report them as “Life Skills,” etc. Still, others implement elaborate behavior systems more closely tied to discipline, etc.

My school has implemented a streamlined version of their behavior system. If you’re wondering why it exists in the first place, there’s good reason. Some of our students had never done a homework assignment in middle school (eso si que es), yet they are all college-bound, so we need to support them. For me, DEA is just rules this year, but many of the behaviors in the streamlined behavior system address my version of DEA (i.e Look, Listen, Ask). As such I’ve decided to begin class with another Call/Response routine (popular this year). Now, this is the kind of thing I would typically do in English, like giving instructions, but it’s just another opportunity for more input using common words, while at the same time supporting students with a school policy:

Demerit

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Assessments: Invalid Validating

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If someone says that a particular teaching practice doesn’t work (sharing observations, or research), and your assessments indicate otherwise, there are 2 possibilities:

  1. The other person didn’t have your data set, making a premature claim.
  2. Your assessments are invalid.

While the former certainly occurs, the latter is more prevalent. For example, teachers typically announce tests on X ahead of time, teach X, then test X. Then, the tendency is to draw the conclusion that students know X, or do X well. This is almost never true. An assessment such as this can only show one thing for certain; who studied X for the test…

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12 Days of CI & Wall Talk

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We’re 1/3 of the way through the school year. Doesn’t that make you tingle? And why shouldn’t it? In my experience, no matter how much anyone enjoys what they do, everyone just wants to go home at the end of the day, and especially at the end of the school year! 

Here is what my Word Walls look like after 12 classes (Latin 1x/wk):

Notice the variation amongst all three, despite a core set of words used throughout. These Word Walls represent “high frequency” as a concept. Even after watching and discussing the same MovieTalk, each class has its own identity…

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Ideas Without Labels: A Discussion Framework

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It was John Bracey who reminded me that if either of us just started discovering CI right now, we’d have NO IDEA what to do or where to begin. It was very clear a few years ago when Story Listening wasn’t as popular, and Ben Slavic had yet to write his Big CI Book, let alone create The Invisibles with Tina Hargaden. TPRS wasn’t even promoting its version of MovieTalk, which is now standard practice in its workshops as the easier gateway to story asking. These all have positively contributed in some way to those teaching in comprehension-based communicative classrooms—don’t get me wrong—but the culmination has also made communicating ideas about CI more complicated. For example, the Teacher’s Discovery magazine has begun selling products branded with “CI,” regardless of actual comprehensibility, let alone amount of input, and some methods mention CI while simultaneously drawing from older methods shown to be ineffective (i.e. Audio-Lingual), and aligning practices with the latest publications from the research-lacking ACTFL. This isn’t a jab at ACTFL, it’s just the reality that most of what they promote is determined by committees, not actual research.

There were fewer teachers interested in CI, too, which meant that there were fewer opinions. In a way, it was almost easier beforehand to be dismissed by most colleagues than it has been lately, falling into debate after debate over what used to be quite simple. Professional groups have also migrated to Facebook, a more active platform. Instead of ignoring messages from a single list-serve daily digest email, folks have been receiving notification after notification on their phones, and responding promptly. There doesn’t seem to be as much time as there used to be to absorb ideas, formulate thoughts, and respond accordingly. For example, while my principles about what language is have been refined since the release of Tea with BVP in October of 2015, many teachers are just now discovering that resource, some of whom have been responding on Facebook with their ideas that haven’t had much influence since the 70’s. It’s becoming difficult to communicate ideas about CI clearly.

So, there are a lot of voices now, which is great, but just not that much support, which is not great, and not as much clarity, which is really not great at all. Many ideas I observe being discussed share no guiding principles, yet teachers go back and forth as if they’re the same thing. Most ideas aren’t, or there’s a crucial difference that one or all parties don’t see. There might be a way to move forward together…

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Teaching Grammar without the Grammar-Translation Method

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Among the many misconceptions about CI, such as some mission against the Classics, “not teaching grammar while providing CI” is probably the most-cited, yet misinterpretissimus of misconceptions.

We teach grammar, oooooooh do we, although mostly in the context of complete Latin messages since even words/phrases contain grammatical information. There’s even explicit instruction, too, though brief student-initiated pop-up grammar explanations (e.g. “Mr. P, why does that word end with nt and not t?”) comprise most of this in a comprehension-based communicative classroom.

Still, even after all that, we do give explicit instruction when students are ready, usually in years 3 or 4. That’s right—even CI-advocating teachers explicitly teach grammar, and they do so using a host of methods and method-free strategies—all grammar-translation alternatives.

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Latin Stories Videos Series: Rōmulus et Remus

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Rōmulus et Remus is the third video in this series after Pygmaliōn & Mīnōtaurus. This is Rome’s foundation myth retold using 37 unique words. The story is 259 words total in length.

For an improved sensory experience, play Arvo Part’s Fratres while reading & discussing the text. 3:50 could represent the surmounting conflict, and 6:05 could represent Remus’ exit and Romulus internal struggle (that is, if he even had one, right?).

1) Class
2) Story (link to Google Doc text found in YouTube video description, but also here)
3) Questions

Establishing Meaning: Confusion

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Step 1 of TPRS is “establish meaning” to show what a word/phrase means in the target language (TL) before using it to co-create a story. The most efficient and effective way to do this is by using a native language (L1) common to all students (e.g. “fēlēs means cat“). In TPRS, we write the TL on the board, underline it, then write the L1 below in a different color. We refer to this throughout class by pointing and pausing.

Establishing meaning is also Step 1 for anyone providing comprehensible input (CI), regardless of the method or strategy.

If this step doesn’t occur, teachers are providing input (I) that might not be comprehensible (C). Although there’s some role that noise in the input plays (Incomprehensible Input?), it’s clear that acquisition doesn’t happen with high levels of that noise. This is why no one—NO ONE—disputes that CI is necessary; it’s the sine qua non of acquisition, which is why establishing meaning is so important.

Still, there’s been confusion over establishing meaning, and that confusion has to do with purpose…

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LLPSI Challenge

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CI is not out to destroy the Classics. On the contrary, those advocating for teaching with more CI are the professions’ biggest cheerleaders, aiming to increase interest and enrollment worldwide. How? It starts with including all students.

Still included in the included, though, are those students most like us who have always thrived in conventional Latin classrooms. We can’t leave them out. At this point, I’ve had about 10 classes with students this year, which is just around the time when it becomes clear who’s really into Romans, and/or really into learning (as opposed to everything else that interests adolescents). Since a few of these students have made their presence known in my inclusive classroom, I have a plan…

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All You Need Is One: Text, Sentence, Word

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I agree with Justin Slocum Bailey that something great can come from nothing. Most teachers fall into the habit of planning waaaay too much. Even if all that planning is enjoyable, somehow, it often results in insignificant gains in student happiness and/or proficiency. In the spirit of “no fail no burnout,” then, plan whatever you have to in order to sleep well at night, but begin class ready for any compelling diversion to take you away from those plans! Sometimes a sentence is all you need, and depending on the content, a single word (e.g. One Word Image, or One Word Drawing).

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