To clarify, Amazon isn’t increasing their costto print books. They’re just decreasing royalties paid to authors (for books listed under $9.99), which means that unless many authors agree to earning quite a bit less per book (in my case it’s over 30%), there will be an increase to your costof purchasing novellas. The good news? It’s only through Amazon purchases…
That is, I encourage teachers to buy directly from authors and novella distributors whenever possible (e.g., my square site, or Storybase Books) since printing costs are remaining the same; whatever deals authors and distributors have struck up aren’t affected by Amazon’s royalty decrease, so you can enjoy lower-cost novellas through them. See this tab on the crowd-sourced novella document on places to get books other than Amazon.
Is there a catch? Not really. Direct purchases tend to have lower list prices than Amazon, though shipping costs added to the order might come as a surprise since they’re hidden by Prime free shipping. For example, most of my books are increasing to $10 on Amazon, but my set of 12 favorite books is $70 plus shipping ($9), not the Amazon list of $120.
On a side note, I’m also taking this opportunity to switch my covers to the glossy format since I’ve heard that the matte versions can get a little grimy over the years, making that really nice original texture end up kind of gross (eww!). Sorry it’s taken so long, JP!
In August of 2020, I wrote 0 To 70: Five Years Of Latin Novellas. Two years later, the number of Latin novellas nearly doubled. Well, another two years have gone by and we’ve seen 40 more, which is an increase of 31%! Above all, there are now 38 authors out there writing different kinds of Latin. In this post, I want to celebrate that different kind of Latin while revisiting some findings…
A frequent complaint of comprehension-based Latin teaching is that students aren’t challenged enough. Critics point to Bloom’s “understanding” level, assuming that everything stops there, imagining students hanging out in the lower-order thinking levels. Given that assumption, the critic’s takeaway is that “CI Latin” is unchallenging, and lacks higher-order thinking.
Untrue.
What is true is that comprehension-based Latin teaching prioritizes understanding as step zero. Under such an approach, nothing is done without first understanding the Latin in front of all students. One immediate implication is that Latin texts must be level-appropriate for beginners in the first years of a new language. And that level is quite low. Therefore, it is true that these texts are at a much, much, much lower level than the kinds of texts traditionally used in Latin classrooms, but that’s just text level. This says nothing about thinking level. Do these truths mean that students do NOT engage in higher-order thinking with these lower level texts? Are students NOT challenged when reading and discussing in class?
After 10 years of teaching, I left the classroom in 2023. I’ve earned an Ed.S. and passed comprehensive exams in the fall of 2025, making me a Candidate for a Ph.D. in Teacher Education. I research grading and classroom assessment, and work with pre-service educators. Here are my most up-to-date practices—frozen in time like Pompeii or Herculaneum right up to my last day in the classroom—that were fundamental to my teaching, making all the daily activities possible…
KDP announced higher printing costs. As a result, my novellas on Amazon are increasing to $8. However, I’ve kept the deals on my Square site to about $5 per book to continue supporting teachers getting multiple copies for the classroom. Yes, there is a shipping cost. For everyone used to Prime free shipping, that cost might seem alarming. Yet it’s a reality I’m very familiar with having experience working at a UPS Store. Still comes out cheaper than Amazon, though.
Also, I’ll be updating my novella list over the next month to check prices. That’s about 150 books, though, so if you find a discrepancy, just contact me with the update. Thanks!
diāria sīderum is a personal favorite. I think this one is my best, honestly, though it appears to be an unlikely choice for the Classicist Latin teacher. Then again, they’re not the ones reading the book. Students are! The sci-fi/fantasy narrative has a bit of a “who dunnit?” feel to it, with students seeking to figure out what made the book’s ancient culture disappear. It’s in three parts using half cognates. The first part has 30 cognates and 30 other words (i.e., 60 total), and the other two parts add 20 and 20 words to that, respectively (i.e., 100 total). It was written so that my Latin 1 class could read a 1000-word long intro to “The Architects” in Part 1 to get a sense of what was going on just before their disappearance. Then, during independent reading, anyone interested could finish Parts 2 and 3 that provide more clues as to what happened.
Since translating, per se, isn’t the problem, and I’ve had success with Read & Translate alongside Read & Summarize (see input-based strategies & activities), my next update to the book-club-like “Novella Month” (now in May) will distinguish between reading and translating. Groups will choose a lower level book they can easily read over four weeks, as well as a higher level book they’ll plug-away at as a group (i.e., not to finish).
This serves two purposes. The first illustrates the different experiences to help students determine when they’ve chosen a book too high above their level, and the other gets at “schoolifying CI.” Whereas the first years of Novella Month included end-of-class prompts to respond to as some kind of low stakes “accountability,” this year’s products will be the translations of the higher level book (added to their portfolio as learning evidence). So no, there will be no product for the lower level book they’re reading, but that might help the cause of creating learners who read because they want to, and not because they have to. Also, several of those end-of-class prompts (choose 4?) are going to be used as a way to wrap up Novella Month along with comparing the two experiences of reading & translating.
Practically speaking, Novella Month will take place twice a week during the second half of every Monday/Wednesday (or Tuesday/Thursday) class. What goes on during the first half? We’ll be reading a books as a whole class: two weeks of The Star Diaries, a week of The Cognate Book, and two weeks of trēs amīcī et mōnstrum saevum. Fridays will be more free reading and a game based on the whole class text we’re reading. Almost done.
The total running time for this audiobook is about 20 minutes, meaning you could listen to the whole book in one go, then do some follow up activity, such as comparing this prequel to nox horrifica if students have read that one already. We’ll be doing that next week for an off-season thriller filler, perfectly timed for dealing with end-of-year testing madness that makes consistency this time of year quite difficult. In other words, more one-off activities are needed. I’ll add a listening challenge to listen for meaning, then look at the book and check for any pictures, footnotes, and/or clarification as we go. The narration is slower and has enough pauses to do so. The idea is that since my first year Latin students are well-beyond this book’s level, the additional task of purely listening (but having support if needed) should bring the activity up to “their speed.”
So, this audiobook is available on Bandcamp. If you’re not familiar with that site, it’s basically a donation-based way of musicians getting their music to fans. There’s a suggested cost, usually much lower than its value, so fans can choose to throw a few more dollars towards the musicians if they want to support them a bit more. One great feature is that you can stream the tracks a few times before Bandcamp gets sad. That means students can listen to this Latin without any cost to them whatsoever! For use in class, though, you might want to have the audio downloaded so you always have files ready to queue up. Enjoy!
**Update 7.20.23 – This post was SOMEHOW deleted and nowhere in my trash folder?! I’m guessing it occurred when WordPress updated to the JetPack app. I know, you don’t care, but I Just wanted to say that I found the post in its ENTIRETY using the Wayback Machine. Here it is if you wanna see!**
When the draft of the new revised AP Latin course was released, I simultaneously couldn’t care less yet was also amazingly intrigued. So, I did another analysis like the one a few years ago. In short, the good news is that 1) the total amount of Latin has been reduced by about 25%, 2) quite a bit of “OTHER” Latin has been suggested as comprising a third of the overall syllabus alongside Virgil & Pliny, and 3) the revised course has been officially recognized as a second year college equivalent. Now, the bad news…
The Same The revised course is fundamentally the same. While the draft name-drops the trending “language acquisition” phrase, the core texts are still very, very far above the reading level of nearly every student who will take AP Latin. This, in no way, is a tenet of language acquisition, whatsoever. Even methods and theories encouraging a “productive struggle” would draw the line well before anything like Vergil & Pliny after a few years of a new language. Beyond that, most high school students have no business taking a second year college course, anyway. BuT Ap Is AdVaNcEd,RiGhT?! Sure. The problem, though, is all the schools that choose AP as their program capstone without any other option, weeding out kids who “can’t cut it,” and/or backwards designing the whole program down to freshmen year (or lower for “feeder” middle school programs). When AP is used this way—which is very common—most students are denied a senior year language experience, or are unnecessarily forced to struggle through the content.
Core TextVocab The revised Vergil & Pliny selections vocab comes to:
5,500 total words in length
3,500 forms (i.e. aberant + abest = 2)
1,800 meanings/lemmas (i.e. aberant + abest = 1 meaning of “awayness”)*
This particular Vergil & Pliny content not as bad as the current Vergil & Caesar content (i.e., down from 11,700 total words in length, 5,700 forms, and 2,600 total meanings/lemmas). Progress, right? But still nowhere close to what typical students have acquired by senior year. Using the same generous figure of seniors knowing 750 words by the time they begin AP coursework, there’s still more unknown than known vocab. Like, way more (i.e., 1050 unknown words of Vergil & Pliny remain!!). The AP draft also states that “the focus of the course is continued Latin language acquisition with the inclusion of some textual analysis and contextualization skills.” Uh…some…analysis and contextualization skills?! If the focus were actually on acquisition, students would be reading a LOT. To be clear, students still won’t be reading this kind of Latin. To truly “read” these texts, students would need to understand 98% of the Vergil & Pliny selections to have a chance at comprehending what’s going on (see Text Coverage). That ain’t gonna happen. But there’s more, and it might be worse…
The stats so far represent just 65% of the AP syllabus content!
Teacher Choice The AP draft outlines setting aside about 1350 total words of poetry and 1650 total words of prose, all of the teacher’s choosing. This constitutes a third of the revised course content aside from Vergil & Pliny. Now, for this analysis, I got lucky with randomly choosing the recommended Ovid passages from Metamorphoses (i.e., 1450 words), and the Ciceronian letters (i.e., EXACTLY 1650 words). When we add these texts to the core Virgil & Pliny, unfortunately, we get a chart that basically mirrors the current AP one:
While the 2025 AP draft shows the total amount of Latin being reduced by about 25%, it turns out that the vocab difference is only about 4% less (i.e., 2600 total words currently vs. 2300). Progress…right? Here are a few different charts to help visualize all that:
Wildcard Yet I chose Ovid & Cicero. The big wildcard is Teacher’s Choice portion of the AP syllabus. Surely, the impact of choosing text Y or author Z will vary, yet by how much? I was curious about that impact, but I do have a day job, other hobbies, and Ph.D. coursework to do. Rather than look at multiple combinations of poetry and prose, perhaps looking for the most extreme outcomes, I kept Ovid and replaced the Cicero letters with different prose selections amounting to ~1650 words of Latin to see what came up.
Starting with Sallust (Bellum Catilinae,, 5-15), the results were pretty close with just 10 more words added given all the vocab in common with Vergil, Pliny, and Ovid. Next, I pieced together an assortment of Gellius’ Vestal passage in Noctes Atticae (1.12), Eutropius’ founding of Rome in Breviarium Historiae Romanae (1.1-8), and the first five characters of Hyginus’ Fabulae. After all, the stated point of including this “OTHER” Latin is for encouraging teachers “to explore Latin texts from different time periods written by a variety of authors.” The difference between using this assortment of selections instead of Cicero wasn’t staggeringly worse. Then again, it did add about 50 more unique words, increasing those vocab demands, now coming within 200 words of the current AP syllabus!. The point? The Teacher’s Choice portion—a third of the AP syllabus—has the potential to meet (surpass?) the vocab demands of the current AP!
In sum, the revised AP course seems to be an all-too-common case in education: making progress in some areas yet ultimately falling short of addressing a fundamental problem. The 2025 AP is basically the same old thing (i.e., vocab demands are very close to the current AP with just ~4% fewer words) wrapped up in new packaging. I’m sure it will appeal to more teachers, but it doesn’t seem to deliver much else in terms of pedagogical improvements besides reduced workload and a tip of a hat to everyone reading “OTHER” Latin. So, maybe 2035 draft will be promising? I’ll be long gone from the classroom by then. Best of luck to everyone out there!
*Once again, for this analysis mostly done via Voyant Tools & Google Sheets, I rounded to the nearest 100, in the AP’s favor. Errors are unlikely to change things remarkably, and in all likelihood the situation is a little worse than what you see.
Quintus is a gamester who really likes to gamble. The problem? He’s terribly unlucky and never wins! In this tale, Quintus gets himself into a dicey situation, betting all sorts of valuables he can’t afford to lose. Will he come out on top, or lose it all in the end?
16 cognates, 34 other words 840 total length
This is my third novellula written to be short, very much on purpose. Since Latin novellas first started popping up, teachers have noted that the whole-class reading experience can drag on for beginners. I’ve been finding that books under 1,000 total words seem best for a quick read at the start of Latin 1. This new tale is about gaming! I grabbed some dice-cups, dice, and knucklebones online to play as we read the book. Give it a try. Enjoy!
Magister P. 