No More Stories

After a most terrible teaching experience (i.e., remote year 2020-21), I wrote about wanting to double my storytelling efforts for the next year. In 2021-22, it didn’t really happen, with us creating only 10 class stories total, all very short, amounting to something like 700 total words of Latin. Come this year, we made just four (about 300 total words) up until November. This is not much Latin at all, and I’ve come to question its value in my classes.

Besides, I don’t miss it one bit, not really enjoying the storytelling process as of late. Did I ever? Not sure. The learning curve for collaborative storytelling is real steep. It’s hard to tell what might have been productive struggle or just stressful struggle. I certainly loved being a student in storytelling demos—what a friend dubbed “Workshop CI”—but I can’t say for sure that I loved asking stories to a classroom of actual teenage kids who were neutral at best, but who usually couldn’t care less. I know I know, the key is to bank on interests and personalize and make class fun and memorable and make students forget they’re learning a language, blah, blah, blah, but that just doesn’t match my reality. It never has (though it was much closer when teaching middle school). Such a magical storyland context certainly exists for some teachers in some schools teaching some languages to some students. Not mine.

So, I’m getting rid of storytelling.

No worries, though. We have plenty of other activities, and plenty of texts since I began writing these for the absolute beginner. Granted, we still need MORE low level books for independent reading options, yet we’ve reached a point where the number of books exceed what could be read as a whole class for the year (which would be boring, anyway, only reading these books by just one author). In terms of novellas (and now novellulas Pīsō… & Quīntus), we really do begin reading a book the first week. No need to wait until the spring. So, books are a significant part of class content. They’re anchors we use to explore Roman topics. Aside from those anchor texts, we actually have enough sometimes feels like content overload:

I do, however, want to keep the idea of students-as-content. In my experience, this has helped build a safe learning environment and sense of belongingness right from day one of school. Our class stories were always based on something the student liked. Therefore, this new idea just eliminates the story…

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sīgna zōdiaca collectiō: HARDCOVER!

All previous volumes of sīgna zōdiaca (i.e., Vol. I, Vol. II, Vol. III) have been combined into one new collection bound in hardcover! The myths also feature a new version that’s been adapted even further for a quick read (i.e. fābula rapida). When myths are read monthly with the changing of each sign, these new versions provide additional scaffolding which I found helpful in the first months of first year Latin. The book feels good, too, with a solid binding, similar to my LLPSI (Lingua Latina Per Se Illustrata) hardcover. The total length of this collection is 8100 words.

The collection is only available here on Amazon.

Vocab Lists: Sheltering, Grammar Audit, and Creativity

**Updated 8.19.20 – The DCC core list of top 1000 Latin words has just 100 cognates.**

sīgna zōdiaca Vol. 1 was published at the end of July, bringing the total vocabulary found throughout the entire Pisoverse novellas to 737 unique words, of which 316 are found on the DCC core list, and of which 319 cognates (see my last post on cognates), including 52 found on the DCC core list (i.e. Pisoverse cognates account for over 50% of the total DCC cognates). That vocabulary size is quite low for what is now almost 50,000 total words of Latin for the beginner found in 19 books. This is what is meant by sheltering (i.e. limiting) vocabulary. Of course, that sheltering didn’t just happen by chance. There have been many decisions of what to keep and what to let go, the process deliberate, and at times methodical. In this post, I share ways to shelter vocab in novellas, and how those same practical steps apply to more informal writing done in the classroom with students…

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