It’s been years since I’ve given a quiz. I know that seems crazy coming from a teacher, but there are just so many other ways to get evidence of learning, like The Monitor Assessment, that I haven’t had to bother with quizzes much at all. When I did give them, they were sneaky ways of reading and rereading. In other words, all my quizzes were input-based. This meant that the learning experience (i.e., of receiving input) took place during the assessment. In the literature, this is known as an UNOBTRUSIVE assessment, whereas an obtrusive one would be when there’s an abrupt stop to input and interaction so testing can occur. This is bad. It literally takes away time from learning, an no one wants (or needs) that. A couple examples of obtrusive assessments would be like pulling kids into the hall for some speaking test while who-knows-what is going in the classroom, or holding a “unit test day” that’s really just 20min of testing, then free time or busywork for those who finish. With unobtrusive input-based assessments, however, the learning (i.e., receiving of input) continues, and it’s not a complete waste of time.
I enjoy not wasting time. Don’t you?
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I’ve been experimenting with more structure to storyasking. No doubt, I’m a bit rusty after a year teaching classes just 1x/wk, and for which I asked the first and only story on the final day of classes! Prior to that, it had been over a year and a half since I regularly asked stories, which itself wasn’t frequent given the oppressive teaching environment—ēheu! Here are supports that have proved quite useful in helping me get back into the swing of things. But first, what makes good storyasking?
Choice, not Chaos!
A lot of teachers try asking too many open-ended questions that leave students at a loss. The easiest stories to ask include some choice, but not so much that everything feels off the rails. Teachers who attempt the latter, bail quickly. The key is finding the right balance between personalization and control. Experienced storyaskers can release a lot of control over to students, mostly because they have a higher chance of being comprehensible, and the students are more mature, knowing what to expect. Less-experienced storyaskers, or those in particular creativity-resistant contexts, like mine, would benefit from having more structure. The following supports have been helpful in reawakening imagination, something all great stories benefit from, and which most grade students have forgotten about/lost by the time they get to high school, sadly. Give them a try…
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