The Cropped Picture Picture Talk Trick!

This trick gets you immediate content to discuss, and then X new drawings (whereas X is the class size) used for other input-based activities.

  1. Get a picture.
  2. Crop it.
  3. Make copies, and have students draw the missing parts.
  4. Project several drawings, and describe them.

For those who have read Rūfus et arma ātra, here’s a large Crixaflamma to print out. Also, input hypermiling combos include:

  • Write & Discuss (or type up on your own)
    • Print and give to students to read (i.e. up to a complete Free Voluntary Reading (FVR) packet of drawings and descriptions).
  • Project as Timed Write prompt (i.e. “Write a story about…”
    • Print and give to students to read (i.e. up to a complete FVR packet of drawings and descriptions).
  • Flyswatter Picture Talk (using two drawings side-by-side)

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Rethinking MGMT: No-Prep Gradebook Evidence

Today, I greeted students at the door as usual, waiting for their class password and making a personal connection before class. When the bell rang, I went to my desk, a bit like Vanna White drawing attention to the projected “Do Now!” with the instructions to read a new text I had placed on each seat. After a minute or so, I began walking around with a clipboard marking a) who was reading, b) who wasn’t/who was talking, c) who was coming in late, and d) who was absent.

This went into the gradebook.

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Using Novellas: 5 No-Prep Ways To Read

Teachers have had many questions regarding the use of novellas in the classroom. While the easiest is to simply have them available for students to read, I’ve taken a more cumulative approach to setting aside time for independent reading this year. Here are 5 different no-prep ways to read novellas:

**ALL novellas available for Free Voluntary Reading (FVR)**
1) Whole-Class & Sustained Silent Reading (SSR) Intro
2) Whole-Class & SSR
3) SSR & Expanded Readings (ExR)
4) Audiobook, SSR & ExR
5) Poetry of the Week

Keep reading for a LOT more detail…

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Hypermiling: Mine!

Having turned my focus to One Word Image (OWI) for the rest of the year, I’m noticing little tweaks that make all the difference. The first tweak is that the entire OWI process works best when limited to 20 minutes. Even storyasking the following day after artwork is presented limited to 20 minutes (e.g. 5 minutes per section in the pic below) keeps everything more comprehensible, compelling, and novel. You might think shorter stories lack input, but that’s not true. Since so many stories can be created, exposure to frequent vocabulary are found in many new contexts, rather than one monster of a story that takes an entire class (or more!) to co-create.

That tweak now a part of my M.O., here’s another one that adds 5 minutes to the storyasking process, but has really helped my students reawaken their imagination, not to mention something that gets X new parallel stories…

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Syra sōla: Published!

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This is my favorite novella yet.

Syra sōla has the second fewest unique words of all 12 other novellas—29—(excluding names, different forms, and meaning established in the text), 10 of which are super clear cognates! This novella of 1400 total words is excellent as a Free Voluntary Reading (FVR) option for beginners, a quick read for more experienced readers, and also as one of the first whole-class novellas.

About Syra sōla
Syra just wants to be alone. Good luck in Rome, right? Syra travels to the famous coastal towns of Pompeii and Herculaneum in search of solitude. She encounters a merchant with several animals from Africa, including arguably the best Latin animal name, camēlopardalis (a “giraffe,” because it really DOES look like a camel-leopard!). Don’t let that word bog you down; it’s pronounced camēēēēloPARRRRdalis, with the accent on the “PAR,” and has the rhythm of repeating iambs (i.e. short long short LONG short short). Syra sōla is available…

1) 2019 CANE Annual Meeting March 8 & 9 (discounted copies, any 5 for $25)!!!
2) Amazon
3) Free Preview (first 5 of 10 chapters, no illustrations)